Showing posts with label embodiment. Show all posts
Showing posts with label embodiment. Show all posts

Thursday, 1 December 2016

Having a conversation with my deep tissue


Over the last few months I've been going to a guy called Giovanni Felicioni to be Rolfed. Rolfing Structural Integration originates from an American Woman called Ida Rolf who died in 1979, and is all about integrating human structure and function in the field of gravity. This is done through working on the level of connective tissue (fascia) with touch and manipulation and through educating the person in their body use and sensory perceptiveness. It's fantastic!

Although the touch can often be very strong (elbow deep into the side of my thigh, for example), the work is surprisingly subtle. His fingers are doing something on my back, but it's not massage... Massage is about relaxing muscles and that I can understand. But with Rolfing, my mind is often filled with the question "what is he doing?" He also asks me questions, and they also often leave my thinking-mind reeling. Like a Zen koan, they can't be answered by thinking about it, but only through feeling. While my rational mind is dazed and confused (and a bit put out that it's so useless), my intuitive mind is right on it. I often cannot put an answer into words so I say "I don't know" and Giovanni replies saying "don't know is a great place to be! It's a place of potential, of exploration."

I've come to see Giovanni's touch more like communication than massage. He's having a conversation with my body (through the fascia and tissues). What my rational mind can't work out is the language of the conversation – that's why it feels so put out! Besides the more direct work on releasing the unblocking the fascia in certain parts of my body, he's also helping my system to make new connections and relationships. Part of the conversation he's having with my body (I think) is about saying things like "hey, what about making friends with this part over here?"

I said to Giovanni at our last session that I understood our work to be on the level of connecting body and mind. He thought that was too simplistic! He thought it better to think of the work on four dimensions not two:

Physical tissues

This would be the muscles, fascia and bones that make up your body. The physical stuff.

Mind that makes sense of things

This is the part of the mind that likes to make sense of things, make storylines, and interpret what's going on. For example, "my pelvis has an anterior tilt (bum sticks out) because my hip flexors are tight and my sacrum isn't free to move easily", or "I round my shoulders forwards because I feel timid", etc.

Coordinative function

So we've got the physical stuff of our body, but when we bring that into movement that's a whole different story. How we coordinate our movements and actions are a function of things like who we learnt from, our environment, our habits, past injuries or traumas, etc.

Perceptions

This would be on the level of the way you perceive yourself, or how you'd like to be perceived in the world. For example "I'm a hurt person", "I'm a big tough guy", "I want to stand up straighter", "I want to be more confident", etc. These are the intentions or resolutions that we make that influence how we coordinate the physical tissues and how we make sense of all that.

I feel like I'm just starting on this Rolfing journey. It's a whole different wisdom which isn't yoga, but is. Ida Rolf studied yoga in her early life and yoga was a major factor in her understanding of the human system. Giovanni also teaches yoga based in the Scaravelli method.


I am a member of the Zenways sangha led by Zen master Daizan Skinner Roshi, and I teach meditation, mindfulness and yoga at the ZenYoga studio in Camberwell, London. See my website for further details.

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Wednesday, 17 August 2016

What is an emotion?

I've recently finished reading a book by Peter Levine called "In An Unspoken Voice". It's a pretty amazing book – the result of a career of over 40 years in the field of stress and trauma, detailing his pioneering work into how trauma happens and the methods he's found to work with it. Coming out of these methods is the therapeutic body-awareness approach to healing trauma called Somatic Experiencing that's now available across the Western world. (If you're interested in this area, Bessel van der Kolk's "The Body Keeps The Score" is also well-worth a read.)

Towards the end of "In An Unspoken Voice", Levine touches on the subject of emotions and embodiment, and that's what I wanted to pick out to talk about in this and the next blog post.

What is an emotion?


It's simple to ask, but very tricky to answer!
If your everyday practice is open to all your emotions, to all the people you meet, to all the situations you encounter, without closing down, trusting that you can do that - then that will take you are far as you can go.  And then you'll understand all the teachings that anyone has ever taught.
– Pema Chödrön
As Levine points out, Descartes claimed "I think therefore I am" and it seems many people might agree with him. With this in mind, when something provocative happens you might think that your brain recognises this provocation and produces an emotional response. Then the brain tells your body how to react in accordance with this emotion: maybe increase heart rate, breathing, tense muscles, etc. What do you think? Does this seem like the way it works in your experience?

At the turn of 19th century, experimental psychologist William James took a different approach and arrived at a different conclusion. Through introspection, he would attempt to infer the chain of events that led to an emotion being generated. Most of us might think that when we see something scary we get frightened, and then motivated by fear, we run. Through his studies, James concluded the opposite – that rather than running because we are afraid, we are afraid because we are running. We feel sad because we're crying, feel happy because we're smiling, etc. The emotion comes as a result of the (re)action.

James was remarkably ahead of his time, and the importance of his work is only just being appreciated now.

Emotion is an afterthought


Emotion doesn't originate in the brain – it's the brain's perception of the body's reaction that generates the emotion. As Levine puts it "it's almost as if the brain canvases the body to see how it's reacting in the moment" (or in reality, assesses all the information it's receiving about the sensations and state of the body) and calls that collection of sensations and actions an emotional state.

Emotions happen in the body – they are 'embodied' processes. Levine has a lot to say about embodiment – he defines it as "gaining, through the vehicle of awareness, the capacity to feel the ambient physical sensations of unfettered energy and aliveness as they pulse through our bodies." Gut feeling, precognition, and what we call intuition, then "emerges from the seamless joining of instinctual bodily reactions with thoughts, inner pictures and perceptions."

"Mu shin" calligraphy

No-mind, no emotions


This sounds remarkably Zen! In fact it sounds like the Zen idea of "no-mind" (mu-shin), which means being directly in touch with the experience of now (and acting from that place), without concepts, ideas or mental commentary getting in the way.

And as my teacher Daizan Roshi says, "when you're on the cutting edge of reality, there are no storylines or thoughts" – or indeed emotions. Emotions are simply our labels for patterns of specific thoughts, sensations, reflexes and actions. "Its only when we look back with hindsight," Daizan continues, "that we try to make sense of things and the story-lines come."

Or as Charlotte Joko Beck puts it in her book, "Behaviour is what we observe. We cannot observe experience. By the time we have an observation about an event it's past – and experience is never in the past. That's why the sutras say we can't touch it, see it, hear it, think about it – because the minute we attempt to do that, time and separation have been created. ... Who I am is simply experiencing itself, forever unknown. The moment I name it, is it gone."

When you're truly, directly experiencing that moment of feeling happy (i.e. on the cutting edge, as Daizan puts it), there are no thoughts about it. There's just... it.



I am a member of the Zenways sangha led by Zen master Daizan Skinner Roshi, and I teach meditation, mindfulness and yoga at the ZenYoga studio in Camberwell, London. See my website for further details.

I'd love to hear from you

Leave a comment below, I'd love to hear your thoughts.

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